Robert L. Edwards, Conductor, Consultant, Photographer

To play excerpts from the performance repertoire of Robert L. Edwards: Click the underlined links below, or use the “Streaming Audio” link
 to go to the main audio page. You can return here by clicking the link“Return to Performance Repertoire” at the bottom of each excerpt page.
If the audio stalls or stutters, press the Pause button and allow the audio stream to catch up for about 15 seconds, then click ‘play’ again.

 

Anon.

Bach, J.C.F.

Bach, J.S.










Beethoven, Ludwig

Bernstein, Leonard



Brahms, Johannes
 
 
 

 
 
 

Copland, Aaron

Duruflé, Maurice

Felciano, Richard

Franck, Caesar


Gabrieli, Giovanni


Ginastera, Alberto


H
ändel, Georg F.



Hanson, Howard


Harris, Roy


Haydn Franz J.







Holst, Gustav

Josquin


Lassus, Orlandus



Ligeti, Gyorgy


MacDowell, Edward

Mendelssohn, Felix


Menotti, Gian Carlo

Monteverdi, Claudio

Moussorgsky, Modest

Mozart, Wolfgang A.



Neruda

Orff, Carl

Palestrina


Perosi, Lorenzo

Persichetti, Vincent

Petrich, Roger

Pinkham, Daniel


Pitoni, Giuseppe
 
Poulenc, Francis

 

Praetorius, Michael

Quantz, Johann J.

Rachmaninoff, Sergei

Ravel, Maurice

Scarlatti, Allesandro

Strauss, Johann

Stravinsky, Igor




Sweelinck, Jan

Telemann, Georg P.

Thompson, Randall

Tschaikovsky

Tschesnokov

Vaughan Williams, Ralph

Verdi, Guiseppe

Victoria, Tomas

Vittoria

Vivaldi, Antonio




Walton, Williams

Yanok, Thom

 

E la don don, Verges Maria

Die Kindheit Jesu

Brandenburg Concerto No. 5
Brandenburg concerto No. 2
Cantata 21 “Ich hatte viel Bekümmernis”
Cantata 63 “Christen, ätzet diesen Tag”
Cantata 67 "Halt im Gedächtnis Jesum Christ"
 
Cantata 140 “Wachet auf, ruft uns die stimme”
Cantata 142 “Uns ist ein Kind geboren”
Cantata 182 “Himmelskönig, sei willkommen”
 
Magnificat
St. Matthew Passion

Symphony No. 9
(chorusmaster Northeastern Pennsylvania Philharmonic)

 Chichester Psalms
Choruses from Candide
Mass

Abschiedslied
Alto Rhapsody
Der Tote Knabe
Die Wollust in den Maien
Es geht ein Wehen durch den Wald, op. 62, No. 6
In Stiller Nacht
 
Requiem
Tafellied, op. 93b

Appalachian Spring

 
Requiem, Op. 9

Sic Transit

Mass in A Major
Psalm 150

In Ecclesiis arr . for Four Choirs
Plaudite, Psallite for Triple Choir

Concerto for Piano and Orchestra
 
Psalm 150 

 
Israel In Egypt
Organ Concerto No. 13 "Cuckoo/Nightingale"
 
Messiah  

Concerto for Piano and Orchestra
Symphony No. 2

Symphony No. 3
 
Symphony for Voices 

The Creation 1983
Lord Nelson Mass
Missa Cellencis "Mariazeller"
Missa St. Nicolai
 
Missa in Tempore Belli (Timpani Mass)
Psalm 23
Te Deum

Christmas Day

Ave Vera Virginitas
Marian Motet "Ave Maria, Gratia Plena"

O bella fusa
 
Ola! o che bon eccho!
Valle profonda

Atmospheres
 
Lux Aeterna

Piano Concerto No. 2 in d minor

 
Heilig
 
Sechs Sprüche, Op. 79

Amahl & the Night Visitors (staged)

Exultant Coeli

Defeat of Sennacherib

Ave Verum Corpus
 
Requiem
Symphony No. 40 in g minor

Trumpet Concerto in E-Flat Major

 
Carmina Burana (with Ballet)

Agnus Dei
Adoremus Te

Messa a Tre Voci

Te Deum

Choral Fantasia on the Chorale "Ah, Holy Jesus"

Wedding Cantata
Christmas Cantata

Cantate Domino

Concerto for Organ, Strings & Timpani
Quatre motets pour le temps de Noël
Sept motets pour le Temps de Lent

Es ist ein’ Rose Entsprungen

Flute Concerto

Symphony "The Bells" 

Mischievous Child
(chorusmaster Northeastern Pennsylvania Philharmonic)
 
Exultate Deo
 
Scenes & Choruses from Die Fledermaus
 
Mass
Rite of Spring
Symphony of Psalms
Three Sacred Choruses: Pater Noster, Ave Maria, Credo
 
Hodie Christus Natus Est

Laudate Jehovum

The Peaceable Kingdom

excerpts "The Nutcracker"

Salvation is Created

Serenade to Music
 
La Traviata
(chorusmaster Northeastern Pennsylvania Philharmonic)

O Magnum Mysterium

Ave Maria

Beatus Wir
Guitar Concerto
Gloria
The Four Seasons

 
Belshazzar’s Feast (three city tour)

 
Being There
 

 

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In order to provide permanent documentation of the important sociological and musical contributions of the Greater Hazleton Oratorio Society, Singers’ Guild of Scranton and Sinfonia da Camera to the lives of residents in Northeastern Pennsylvania, some of the 1977-1986 live performance analog recordings of these community groups were rescued, restored, and converted to a digital format. Those restorations and the performance excerpts that appear on this website are intended as historical documents not as an entertainment product. The copying or dissemination of these excerpts is strictly prohibited.

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